The Northampton Arts Council is a city board and a non-profit organization whose goal is to support and promote the arts in Northampton. Originally created as a Local Arts Lottery Council, it began its work by administering a grants program in which proceeds from a state lottery are distributed to local artists, arts groups, and public schools.

Tuesday, October 11, 2016

RIFF TALKS - Identity in performance

The School for Contemporary Dance and Thought

RIFF TALKS - Identity in performance

Performance, lecture and workshops with

With Jaamil Olawale Kosoko (Philadelphia), Tara Aisha Willis (NYC), Joy Mariama Smith (Amsterdam/Philadelphia), Sara Smith (Amherst) and Cassie Peterson (Northampton)



Saturday November 12, 7:30 RIFF TALK AND PERFORMANCE

Saturday, November 12, 4-6 pm // Sunday Nov 13, 3-5pm ARTIST WORKSHOPS

SCDT Studios, 25 Main Street 4th floor, Northampton MA

Price- $10/ performance, $40/ weekend, 413 695 1799

RIFF TALKS offers the local community a chance to get up close to internationally renowned contemporary artists, offering performances, workshops, and dynamic panel discussions focused around critical themes in dance. RIFF TALKS V brings together a diverse group of artists who explicitly or implicitly explore notions of Identity in performance. As issues of race and gender affect our country and our lives, we are honored to gather this group, who are working on the front lines of art and politics.

RIFF TALKS ARTISTS: Tara Aisha Willis is a scholar and performance artist, currently a PHD candidate in Performance Studies at NY University and is theCoordinator of Diversity Initiatives for Movement Research in NYC. Jaamil Olawale Kosoko is a Nigerian American curator, poet and performance artist, based in New York City, who has toured internationally with political work such as CRYING SONGS that reference issues related to misogyny and patriarchal constructs of masculinity. Sara Smith is an interdisciplinary choreographer and the Arts and Humanities librarian at Amherst College, who creates performances and other works which traverse dance, visual art, writing, and historical research. Joy Mariama Smith is a native Philadelphian who relocated to the Netherlands to complete an MFA program at the Dutch Art Institute; Smith's work primarily addresses the conundrum of projected identities in various contexts and is currently investigating efficiency in collaborative processes, and 'real time' as an artistic medium.

RIFF TALKS is an essential program of SCDT, whose mission holds an abiding respect for the tradition and history of re invention and a resolution to continue challenging established ideals. SCDT serves as a hub for performance art of the highest quality by connecting communities on an international scale. SCDT showcases contemporary movement training and performance practices that embrace multiplicity, arouse curiosity, and emphasize personal choice.


Sara Smith is an interdisciplinary choreographer and librarian who creates performances and other works which traverse dance, visual art, writing, and historical research. Her performances, installations, and designs have been seen and heard at venues throughout the U.S. She is also the editor of KINEBAGO, a forum for writing by and about New England dance makers and movement researchers. Sara is invested in creative practices that consider the poetics and politics of embodied research. Her work most often takes the form of live performance, which she believes is one of the best ways to present topical and physical research all at once. She lives in Greenfield, Massachusetts.

Joy Mariama Smith (NL/US) A native Philadelphian currently based in Den Haag, NL, Joy Mariama Smith's work primarily addresses the conundrum of projected identities in various contexts. A sub-theme, or ongoing question in their* work is: What is the interplay between the body and it's physical environment? Rooted in socially engaged art practice, they are a performance/installation/movement artist , activist, facilitator, curator and architectural designer. They have a strong improvisational practice spanning 20 years. Smith is the co-founder of the COLLAGE Festival, they co-facilitate Couples Therapy, a lab focusing on collaboration between artist.

Tara Aisha Willis is a dance artist and PhD candidate in Performance Studies at NYU, where she researches black experimentation in contemporary dance. A member of the Women & Performance’s Editorial Board, she has served as Co-Managing Editor of TDR, and co-edited a special issue of The Black Scholar with Thomas F. DeFrantz entitled “Black Moves: New Research in Black Dance Studies.” In addition to her written contributions to those academic journals, Tara’s writing and interviews also appear in Movement Research Performance Journal, The Brooklyn Rail, and Magazin im August. As Movement Research’s Program Advisor, she coordinates and advises on their diversity initiatives, including the Artist of Color Council, and programs their Studies Project series, a platform for artist-initiated discursive events. She has recently danced in projects by Kim Brandt, Megan Byrne, and Anna Sperber, and forthcoming in projects with Yanira Castro and Will Rawls. Her own choreography has been shown at Movement Research at Judson Church, BAX/Brooklyn Arts Exchange, Roulette, THROW at The Chocolate Factory, Dixon Place, The Painting Center, AUNTS (Abrons Art Center, The Ace Hotel, Jam Handy), the CURRENT SESSIONS at Wild Project, CPR, and forthcoming in a Danspace Project DraftWork. She was a 2009 Dance Theater Workshop Van Lier Fellow, a 2015 Mellon Dance Studies Summer Seminar participant, and a 2016 Chez Bushwick Artist in Residence.

As a performer, Kosoko has created original roles in the performance works of visual artist Nick Cave, Pig Iron Theatre Company, Keely Garfield Dance, Miguel Gutierrez and The Powerful People, Headlong Dance Theater, among others. Kosoko’s poems, interviews, and essays have been published in The American Poetry Review, Poems Against War, The Dunes Review, Silo, Detroit Research v2, Dance Journal (PHL), the Broad Street Review (PHL), MR's Performance Journal, and Critical Correspondence (NYC). In 2011, Kosoko published Notes on an Urban Kill-Floor: Poems for Detroit (Old City Publishing). He has served on numerous curatorial and funding panels including the National Endowment for the Arts, MAP Fund, Movement Research at Judson Church, Philadelphia Cultural Fund, Baker Artists Awards, Bemis Center, among others. He continues to guest teach, speak, and lecture throughout the US and abroad. Kosoko is a Gibney Dance boo-koo resident artist and a recipient of a 2016 USArtists International Award from the Mid-Atlantic Arts Foundation.

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